FIREWORKS AS WE KNOW ARE NOT OBVIOUSLY PART OF THE GLOBAL CONCEPTS THEY IGNITE. FROM THIS ENTRY POINT FRAMING AND EQUALIZING HAPPENS TO US AND NOT TO THEM. FROM OTHER ENTRY POINTS PERHAPS TO THEM AND NOT TO US. WHILE INTERACTING, BOTH NOTIONS CRUMBLE IN IRREVERSIBLE WAYS. WHILE REPOSITIONING, THE OTHERS POSITION REPOSITIONS IN YET ANOTHER POSITION. WE ALMOST SIMULTANEOUSLY DO THE SAME AND IF NOT KNOWING WHERE TO HEAD, THE HOLLOWING THOUGHTS HOLDS THEIR BREATHS. WE IMAGINE DAYS ARE BRIGHT BUT THE DAYLIGHT WEARS A MASK AND A THICK LAYER OF SMOG PAINTS LANDMARKS. CONTROVERSIES AND NORMALITIES INHABIT OTHER GUISES. DIFFERENT BATTLES TAKE PLACE. WHAT YOU SEE DOES NOT HAPPEN, BUT WHAT YOU HEAR SURELY DOES AS THE SUNSHINE IS DOOMED BY THE NOISE IT UNCHAINS. FROM ROCKET TALL TOWERS DOTS DISSOLVE INTO NEW FEATURES. COOKIES MADE FROM SMASHED BISCUITS TURN SMASHED COOKIES INTO NEW BISCUITS IN A SIMILAR WAY. BY EXERCISING THE ACT OF CRUSHING DIFFERENCES INTO MORE OF A DIFFERENT SAME, IT EVOLVES WHERE IT GIVES UP AND IT KEEPS CIRCLING WHERE IT AGREES. DOES THE RESHAPED COOKIE LIE IN THE CRUSHED MATTER OF THE EXPIRED ORIGIN? AND IF SO, SHOULD WE THEN CREDIT DISTINCTION FOR ANY FORM OF RESISTANCE IN ALL TYPES OF CONFLICT? COOKIES MADE FROM SMASHED BISCUITS EXEMPLIFY THE BATTLEFIELD BUT WAR IS SURELY NO EXAMPLE. WHAT APPEARS TO BE EXPLICIT FROM CLOSE MIGHT BE ADAPTED FROM A PRIVILEGED VIEW. CAN WE FEED OUR OWN SHORTSIGHTEDNESS WHILE DRIFTING OVER SOAP SPOILED WATERS OR DOES THE SPONGE HAVE THE DUTY TO DIVE? WE KNOW THE BLURRED VIEW BY DEFINITION OVERSHADOWS REASONING CONCEPTS AND STILL OUR MIND NEEDS A DETOUR TO REALISE ITS INABILITY. THE OTHER’S SAME IS DIFFERENT AND HAS A FACE WHICH IS NOT YOURS. LUCKILY ALL ROADS LEADING TO NOTHING, LEAD TO ELSEWHERE AND FINALLY TO EACH OTHER AS IN THE DIFFERENCES LIES THE SIMILARITIES. CURIOSITY POINTS OUT A FORGOTTEN PATH OF ABSOLUTE ADMIRATION. GET LOST.

THE OUTSIDE REHEARSAL LEAVES LITTLE TO CHANCE WHEN EVEN IMPOSING COMPOSITIONS FEEL TRAPPED THERE AS WELL. THE ALTERNATIVE FROM BEHIND BUILDS AN IMPACTLESS REMARKABLE MESS. INSIDE THE GALLERY OF OPPOSITIONAL DESIRES WORLDS THAT OBVIOUSLY DO NOT CARE COME INTO PLAY. DESPITE THE STREET, THE STREET WILL HOST ITS STATEMENT ANYWAY. SYMBOLIC IS THE COFFEE MACHINE THAT DOES NOT NEED A COFFEE TO SHAPE THE MESSAGE OF A SKY AS THE STREET BELONGS TO THE OTHER AND THEREFORE NOT TO OTHERS. OBVIOUSLY, SINCE PASSERSBY ARE NO CONSUMERS INSTEAD OF THE OTHER WAY AROUND. ON THE SIDEWALK NEAR THE CUBE OF TOTAL FREEDOM USED AS A HIDING-SPOT, THE PUBLIC’S CONTENT BUREAU LISTENS TO WHO SPEAKS. INTERSTELLAR INTERPELLATIONS OF HUMANITY’S DAILY PAINTING ARE MORPHING MESSAGES INTO A DECENTRALIZED SYMPHONY OF SPEECH. TRIGGERING, PROVOKING AND SETTING OFF BY MEANS OF STREET-GOSSIP. BRUSHING GOVERNANCE WITH INAPPROPRIATE ABSTRACTIONS, DRIPPING DEBATES ON THE CORRIDOR’S NOOK WHERE IT EATS TO FEED THE ACCIDENTAL WITH. BOTH THE ALIBI AND THE ESTABLISHED TRUTH FUSE IN THEIR CONFUSION AS THE MISSION IS A GUESS. WHILE PUNCHLINES BRING THE BALANCE, PHOTOSHOP DOES THE REST. CONCLUDING WITH THE FOLLOWING, ANSWERING THE QUESTION. WHAT IS YOUR MESSAGE? SHARE A PAGE AND APPROACH AN AUDIOBOOK TO HEAL. BASE YOURSELF ON HOW, FEEL NOTHING AND FEEL GOOD. REDUCE WORDS INTO HEARTS AND BE INTERESTED IN WHAT CHRISTIAN IS INTERESTED IN. LIVE THE LEAVING HAND WHILE TAKING ITS PLACE AS EXCHANGES MAKE FOUNDATIONS SHAKE. LEARNING THE DYSFUNCTION OF THIS WORLD FROM MY DISABILITY AND ALWAYS KNOW I KNEW EVEN IF YOU DIDN’T OR I KNOW. ACTUALLY I AM A FOREIGNER, I WOULD HAVE A LOT OF THINGS TO SAY AND I’M UPROOTED, BUT I’VE BEEN OFFERED TWO GARDENS, SO I STAY. I AM LOOKING FOR SIMPLE, FAST AND DIRECT WAYS TO AVOID BEING OVERWHELMED AND I HATE BARCELONA, ALTHOUGH IT IS MY JOB TO SEND PEOPLE THERE. IT’S HARD TO LOOK AND IT’S A FIGHT UNTIL YOU LOOK AND THEN YOU LOOK. I THINK THE FINANCIAL SYSTEMS WILL COLLAPSE VERY SOON AND I HAVE A NEW DOG.

FANTASIZE FASCINATIONS THAT DO NOT TAKE ON A LIFE OF THEIR OWN BUT THAT BECOME PART OF YOURS. CHOP, JUGGLE AND HIDE BEHIND SOME PLOT. FREESTYLE WITH STATE FUNDS BUT SWALLOW SHADOWS FIRST. IN GOD WE TRUST, IN INSTITUTIONAL DOOM WE FAKE. STRATEGIC POETRY DOESN'T STAND A CHANCE BUT STILL PARTICIPATES. SUGAR RUSH, FOMO, CRUSH. FEEL STUCK BUT DON’T, YOU MIGHT DISCOVER DOUBT IS LUCK. HIDE MESSAGES WHERE THERE IS STILL A LOT OF SPACE, AS IN EXPERIMENTAL EMPTINESS. WE, HOWEVER, ARE PLANNING A WORLD TOUR THROUGH EUROPE WITH THE RESULTS OF OUR ARTISTIC PRACTICE FOR SALE, AND IF FAME SHALL PUT US OUT OF OUR COMFORT ZONE, THEN LET'S JUST MAKE IT THE SUBJECT OF THIS PROJECT RIGHT AWAY. PERHAPS WE CAN PORTRAY OUR AMBIGUITY IN THE SCENE WHERE THAT KIND OF BEHAVIOR FITS THE MOST. WE COULD GIVE THE IMPRESSION THAT WE ARE SOMEHOW CONFRONTING OUR ART WITH ITSELF AND THAT BECOMING AN ARTIST CAN BE AN ARTISTIC PROJECT AS WELL. EVEN IF IT SEEMS THAT WE ARE SHIRKING OUR SOCIAL OBLIGATIONS BY APPROACHING EVERYTHING AS A PROTOTYPE, THE DOCUMENTATION OF IT WILL SHOW THAT THE DEVELOPMENT OF OUR ATTITUDE HONORS THE SPIRIT OF OUR TIMES. WE DO REALIZE OURSELVES THAT THIS EXPLANATION SOUNDS UNFAMILIARLY SHITTY, WHICH THUS MAKES IT OBVIOUS THAT THIS PROJECT DIDN'T COME OUT OF NOWHERE, CONTRARIWISE, THAT IT DOESN'T TAKE ITSELF TOO SERIOUSLY, WHICH IN TURN MAKES IT A WELL THOUGHT OUT PROJECT, BECAUSE WHAT HURTS ALSO DOES A LITTLE GOOD. IS THIS A SADISTIC STATEMENT OR HAVE I JUST LEARNED A LITTLE MORE ABOUT MYSELF? PING PONG AND PROPOSALS DAY IN DAY OUT WHILE TRAVELING EVERYWHERE AS EVERYWHERE IS INTERESTING IS THEREFORE TOTALLY JUSTIFIABLE AS IT IS WHAT THIS PROJECT IS ALL ABOUT. BUT KNOW THAT THIS LAUGHABLE EXPERIMENT, PACKAGED AS AN ENJOYABLE, ARTISTIC AND INTERACTIVE LECTURE-PERFORMANCE, WHOSE ALTERNATIVE TRUTH HAS BEEN DESCRIBED ABOVE, IS IN FACT A COVER. COUNTERCLOCKING THE OVERWHELMING WAVES THAT SURROUND US, INFLUENCING OUR CULTURAL POLICIES WITH CONTRADICTORY LOGICS THAT ARE NOT PART OF THIS SINGULARITY AND THAT ARE ULTIMATELY PLEADING OUR ABILITY TO EXPERIMENT TO DEATH. THE ROCK-SOLID RELATED CONSEQUENCES ARE MAKING IT IMPOSSIBLE FOR US TO EXPERIMENT WITH TWISTED WORDS. PRONOUNCING THE WORD UNBELIVELIBLIBLI IN FORMAL SETTINGS IS THEREFORE VIEWED WITH SUSPICION AND CERTAINLY NOT TAKEN SERIOUSLY, WHEREAS USING IT IMMEDIATELY EVOKES A LOT OF GOOD VIBES AND PRONOUNCING THE WORD IS UNBELIEVABLY FUN. IS IT NOT CLEAR BY NOW THAT WE CRAVE FREEDOM AND THAT THIS IS ONLY POSSIBLE IN AN ENVIRONMENT OF RESPECT WHICH MAKES BOUNDARIES REASONABLY NECESSARY. IS THERE A CONTRADICTION THAT I MYSELF DO NOT UNDERSTAND OR ARE WE JUST MAKING THINGS DIFFICULT FOR OURSELVES BY WAY OF POETRY? CAN WE STILL TALK ABOUT CLIMATE CHANGE NOW THAT WORLD PROBLEMS MAY NO LONGER BE A TREND? DOESN'T A SEARCH AUTOMATICALLY BRING US BACK TO THE REASON FOR THE MISUNDERSTANDING AND IS OUR NEUROTICISM STRONGER THAN THE TARGET? THE COMBINATION OF THESE CONCLUSIONS AND THE ASSOCIATED PREDICTABLE TRENDS DESCRIBED ABOVE FORCE US TO APPROACH THIS KEY MOMENT IN OUR ARTISTIC DEVELOPMENT AS A PLAYFUL BUT WELL-PREPARED EXPERIMENT. THEREFORE, WE ARE GOING TO SYMBOLICALLY RAM-RAID THE ARTISTIC INSTITUTIONS ON OUR WAY WITH A VAN THAT HAS BEEN CONVERTED INTO A MERCHANDISING STAND. WE WILL BE SELLING THE RESULTS OF OUR ARTISTIC JOURNEY AS CHEAPLY AS POSSIBLE TO THE HIGHEST BIDDER. UPON INVITATION, WE WILL PLAY THE UNINVITED PERFORMING MISPLACED AUTHENTICITY. APPROACHING THE ARTIST IN THE MAKING AND THE FAME THAT GOES WITH IT AS AN EXPERIMENT, NOT ONLY AS AN EGO TRIP BUT ALSO AS AN AMBIGUOUS STATEMENT TO CHANGE THE SYSTEM, BUT NOT REALLY.

IF THERE IS A FOURTH WALL, TIME HAS CHANGED AGAIN. IF IT’S THE THIRD, COMMON DECENCY IS MOST LIKELY TREATING APPROACHING MESSAGES UNTIL CLIMAX FADES OUT A-WAY. PEACE NEVER LEFT AND SHAPES INCLUDING CORNERS ARE CAUSING PANIC ALL AROUND. WITH UNFINISHED COMMUNICATION WE PROMOTE CONSTANTLY UPDATING CUSTOM GROUND PRINCIPLES THAT WE STOPPED QUESTIONING ALONG THE FLOAT. WE SEIZE OPPORTUNITIES AND TURN MAGIC INTO SOMETHING ARTIFICIAL WHEN THE CIRCUMSTANCES COLLIDE PERFECTLY WITH HUMANITY-ORIENTED STRATEGIC CONCLUSIONS MADE AFTER THE LAST PROJECT. TAKE A LOOK AT OUR WEBSITE AND COMMENT. ON A BLANK SHEET, AS A PIECE OF SQUARE, WE PRACTICE WHAT WE BELIEVE IS TO BE RIGHT. 8 TIMES 25 SQUARE METRES HAS BEEN RAISED FROM THE GROUND. A PUBLIC SPACE PARTIALLY ELEVATED AS A PUBLIC STAGE DESIGNS THE FAIRLY FUZZY FRAMEWORK FOR A MONTH AND A HALF OF UNCERTAINTY. BEHAVING AS SPONTANEOUS LOBBYISTS OF ENGAGEMENT, WE ADDRESS ALL CASUAL Q & A’S THAT TRAVEL THROUGH THE GRID. THIS TEMPORARILY SELF-PROCLAIMED HOUSE FOR PERFORMING ARTS IS LOCATED IN FRONT OF THE BRICK THEATER WE ARE SUPPOSED TO CELEBRATE. EXCESSIVELY PROMOTED EMPTY BOXES CONTRAST THESE STAGES FULL OF LIFE, CATCHING THE UNDEFINED ABSURDITY IT DESCRIBES. MY DRAWSTRING IS STUCK IN HALF OF MY HOODIE AND THE MAIN PROBLEM WITH SHOES IS THAT SOME GET WET. USUALLY BOTH, UNLESS YOU HAVE STEPPED INTO A PUDDLE WITH ONLY ONE OF THEM. OR IF YOU HAVE YOUR SPECIALISED MOUNTAIN BOOTS ON, BOTH SHOES MIGHT STAY DRY AS WELL. DEPENDING ON THE DEPTH OF THE PUDDLE, THE QUALITY OF YOUR SHOES AND THE DURATION OF THE IMPACT, EVERYTHING OF COURSE ALWAYS DEPENDS ON THE CIRCUMSTANCES. RESPONDING TO EVERYTHING THAT HAPPENS TURNS OUT TO BE A TRICKY EXPERIMENT, BUT IT IS ALSO A WAY TO INCREASE THE PROBABILITY THAT NEVER WILL ANYTHING EVER BE. LUCKILY, WE ARE ALL BIOLOGICAL MIRACLES AND BY CHANCE WE HAPPEN TO BE ABLE TO USE OUR MIRACULOUS ABILITIES, NOT ONLY TO HANDLE VARIOUS SUBJECTS, BUT ALSO AS A SUBJECT ITSELF, FOR EXAMPLE TO MORE EASILY CONNECT TOPICS. THE OTHER CRAZY THING IS THAT BEES FOLLOW ME AROUND ALL THE FUNKING TIME BECAUSE THEY THINK I AM A FLOWER WITH MY FLUORESCENT WORKER’S OUTFIT. RELYING ON DIGITAL MAPS, MY OUTFIT DOES NOT RECOGNISE MY NEXT DESTINATION. WHEN I ENTER MY NATIONAL IDENTIFICATION NUMBER ON MY DYING PHONE, THE LINE THAT IS SUPPOSED TO CALCULATE MY BENEFIT STOPS. I MAILED DOCUMENT C4 TO A HELPFUL CONTACT WHO DOES HAVE ACCESS TO A PRINTER THAT MY COMPUTER APPARENTLY DOES NOT RECOGNISE. UNFORTUNATELY, THE PASSWORD OF THE NETWORK I NEED TO TRANSFER THIS DOCUMENT IS IN POSSESSION OF THE NEIGHBOUR WITH WHOM SHE IS AT ODDS. UNCOMFORTABLE FACES STARE AT AN INCLUDED MINORITY THAT FEELS SURPRISED BY THE ATTENTION THEY RECEIVE AND THE RESPONSIBILITY THEY CAN TAKE. GETTING AN ENTIRE CITY ON STAGE IS, IN PRACTICE, GIVING SPACE TO THOSE WHO REMAIN STANDING. IT COULD BE HONEST BUT IT HAS TO BE AWKWARD TOO, OTHERWISE THE MEETING OF STYLES AIN'T NO EXERCISE. EXPERIMENTS THAT LEAVE BUREAUCRATIC HABITS BEHIND ARE ACHIEVABLE BUT AT RISK. ATYPICAL COURSES AND PUBLIC STAGES THAT EXPOSE LIVES ARE AS WELL. SHOWING OFF NORMALITY AS THE BEST THEATER PIECE EVER MADE SHOULD BE OBVIOUS BY NOW BUT IT’S NOT. IF WE CAN BE A THING FOR A WHILE THEN LET US SHINE AFTERWARDS AS NOTHING IS REALLY CRAZY AFTER ALL.

IT’S ALMOST MINUTES AFTER CRISIS IN A MOMENT AFTER MIDNIGHT. I AM CUTTING MY NAILS LISTENING TO DARK MUSIC WITH A FUTURISTIC VOICE SOUNDING LIKE A GOD. I CONTEMPLATE THE WORDS THAT WENT TOO FAR AND I FORCE SEVERAL QUESTIONS OUT. IN BETWEEN I SCRIBBLE, CALL AND AWAIT THE ISOLATION. ENORMOUS FABRICATED LETTERS ANCHOR THE GROUND. BRIGHT COLORS HIDE BROKEN CORNERS. THE HANGING FLOWERS ARE GONE AND MY PERSONAL STUFF STAYED VERY MUCH THE SAME. I WON’T DELETE SHAMEFUL SELFIES AND I WON’T FLUSH THE SOAPY WATER EITHER, AS THE ONLY GLAMOUR LEFT SURVIVED SOMEHOW. ENJOYING WITHOUT PAYING ATTENTION IS THE TRICK TO BEING THE SUBJECT OF A SCENE. BUT IT SURELY DOESN’T WORK BEING HOME ALONE. CONFUSED, I GO OUT, REMEMBERING THE EXIT GOING BACK IN. THE NEXT ROOM HIDES BEAUTY SEEDS BETWEEN MY LEGS. I QUESTION BODY PARTS INFLUENCED BY A FILE DEFINING THE LIFE OF A TIMELESS MASS. DOUBTS SERVE PREDICTIONS WHEN DELICATE MINDS COMPLY. TOMORROW'S BOUNDLESS OPTIONS ARE PREMEDITATED SO THAT WE CAN FADE OUT. WE DON’T HAVE TO ASK OURSELVES WHICH EFFORT IS WORTH THE EFFORT ANYMORE. ISN’T THAT A RELIEF? I AM SO EXCITED ABOUT THE APPLICATION THAT WILL CALCULATE MY CHOICES COMING SOON. MY COMPUTER AND I ARE PREPARING FOR TRANSITION. WE BOTH SLEEP IN THE SAME BED BUT STILL NO PROOF THAT MY COMPUTER SLEEPS FOR REAL. I FREQUENTLY DRESS UP AS A FLAG TO HIDE FROM MANY STRUCTURES. IN THE WILDERNESS I FLUTTER OUT A VARIATION OF QUESTIONS. GOING THERE I TAKE THE CURVE AND FOLLOW THE STRAIGHT LINE BEFORE I STOP. AS LIFE IS NOT AN ART PROJECT I JUST BEHAVE. WHEN WILL THE PEAK OF MY LIFE OCCUR? WILL ALGORITHMS BRAND BURNING CITIES LIKE BEFORE? WHAT WILL CAUSE THE NEXT FIRE AND WHEN EXACTLY DID WE BRAINSTORM BEFORE TAKING OVER THIS PLACE? IN THE HUMAN VALLEY ARTICULATIONS FUEL CHAIN REACTIONS. THE BACKGROUND OF A LIE IS MOSTLY WINDY, OPPOSING MIRRORS INCLUDE ESCAPING PATHS IN THEIR REFLECTION. IT IS ALL OUR RESPONSIBILITY AND GETTING SOMEONE ON THE LINE IS ALMOST IMPOSSIBLE. FROM SO MANY VIEWS THE END SEEMS VERY NEAR. I ACT LIKE I KNOW ALL THE TIME, AND WE ARE RESPONSIBLE FOR SO MUCH ALREADY. OFFICIAL WORLD LEADERS EXPRESS THEIR CONCERNS BY PARKING TROOPS AT BORDERS, OR BY CREATING UNINTENDED TENSIONS THAT RESULT FROM THE UNINTENDED, SOMETIMES AWKWARD SITUATIONS. IT MAY SEEM AS IF THEY SEE OTHERS AS INTRUDERS, BUT IT HAS, THEY SAY, TO DO WITH THE FACT THAT THEY ARE NOT NAÏVE, OR SOMETHING. ADULTS DECOMPOSE EVERYTHING INTO SHAPES. PLACES TO HIDE CAME INTO SIGHT AND ALGORITHMS WILL NEVER DIE. TROPICAL RANDOMNESS GOT STUCK IN THE WAITING LINE. PREPARING FOR DOOM, I UNPLUG ONE OF MY DEVICES.

A BOX. WHAT KIND OF BOX? PERHAPS A CONTAINER THAT HOLDS ALL THE ANSWERS FOR THE DREAM OF HAVING A PLACE. THE TOP-LAYER IS CLOSING ABOVE THE REAL. SWEET DREAMS GOOD MORNING. SUBVERSIVES ARE TOUCHING MATERIALS AND ARGUMENTS. BUT WHO IS ACTUALLY LISTENING? HOW WILL THE PRIVILEGED BEHAVE IF ONLY KNOWLEDGE CAN DEFEND? WE MIGHT BE TOO MANY. THE PRIVILEGED MUST BATTLE FOR THE CAUSE OF THE UNPRIVILEGED AND HAND OUT PRIVILEGED INFORMATION FROM THEIR PRIVILEGED POSITIONS. I KNOW SOMEONE WHO CUT PEARS IN HORIZONTAL SLICES. FROM TOP TILL DOWN, LEAVING THE SKIN. HANDS ARE TAKING OVER PIECES HANDED OUT. WHAT ABOUT THE WOMEN IN FRONT, LIVING IN A BOX? WORKS OF ART ARE UNDER CONSTRUCTION. THEY WILL PROVIDE. LIVING AND DYING IS OKEY INSIDE. AS WELL YOU CAN DO, FIND, PLAY, READ, SLEEP, TALK AND EAT, SLEEPTALK, EATPLAY, SHIT, MAKE LOVE, PUKE AND LEAVE. LIFE ENTERS THE ART WHEN SCULPTURES DELUDE FUNCTIONS THAT COULD SOMEHOW ANSWER TODAY’S ISSUES. THESE SCULPTURES MIGHT LOOK LIKE A FRESH START BUT THAT DOESN’T NECESSARILY GIVE THEM A NAME. THEIR DEFINITION ANSWERS ON WHAT WE CAN DEFINE AS CONTEMPORARY ART, WHICH CLEARLY MAKES THEM PROJECTS OF CONTEMPORARY ART. THEY WERE NOT MADE OUT OF THE BLUE, BUT OUT OF A BOX. NOT OUT OF NECESSITY BUT OUT OF SUPPORT. WE LICENCE WHAT WE WANT.

X = FLEXIBILITY

A SOFT MASS INVADING A WHOLE SPACE. SHOES ARE ALLOWED WHILE SPEAKING IS HOT. INCOMPREHENSIBLE OUTLINES OF LEGISLATIVE COMPOSITIONS ARE CONTRASTING SIMPLE VOLUMES OF LIFE. ‘X’ IS DEALING WITH ARTIFICIAL POLITICS WHILE THE FLEXIBILITY IS CALCULATING THE WORK AND LIFE IN-BETWEENS. WORKS OF ART BECAME A WAY OUT. QUICK FIXES FOR HIGH DEMANDS ARE TO BE FOUND INSIDE ALL-PERMITTED INITIATIVES. THE MAIN FUNCTIONS ARE NON-COMMERCIAL, THEY QUESTION AND INCLUDE. THEY MELT, FREEZE AND AMAZE. THEY ANSWER THE WHY’S, THE HOW’S, AND THE WHAT’S AS IF THE CHALLENGES WERE CLEAR AND TIME JUST DISAPPEARED. THE RICHEST COUNTRIES KEEP THEIR MONEY FOR WORLD CUPS, TO ACCIDENTLY WIN IT’S ORGANISATION BY LOTTERY. BUREAUCRATIC FREEDOM AND NUCLEAR POWER. SEXY WORDS AND MIND-BLOWING DEFINITIONS WITH RESULTS FOR SOME, SIDE EFFECTS FOR OTHERS. LET THE OTHERS USE THE CRAPPY STAIRCASE INSTEAD, THE GREY ZONES AND THE TRICKS. LET THEM BUILD THE SKELETONS, THE MODELS AND THE SO-CALLED PROTOTYPES. LET THESE ALTERNATIVE SHAPES BE THE CELEBRATION, THE ILLUSION OF LIBERATING BASICS.

HOLDING THE ABSURD AMOUNT OF NOTHING IN ONE HAND. NOT AS A PART OF HISTORY BUT AS A PART OF SPACE. WITH THE OTHER HAND ALMOST SIGNING A TREATY THROUGH THE BACKDOOR, COMPOSED OUT OF RULES TO COMPOSE. DOUBTING THE OFFICIALITY OF THE REPORT, LUCKILY I GOT MY NEARLY SIGNED COPY. BY THE WAY, THE DINOSAURS ARE BACK. COLLECTING OBJECTS, ONE OF EACH. GRAPHIC DESIGNING LIFE AND ACTING LIKE SOMEONE WHO KNOWS. THE GUY WHO SELLS WHITE PLASTIC CHAIRS IN A SHOP KNOWS. HE IS ABLE TO SELL AND I JUST BOUGHT ONE. ENDLESSNESS AND DEATH ARE EACH OTHER'S OPPOSITE. STILL FEARING BOTH OF THEM SO FAR. POPCORN IS MAGIC, AND MAGIC IS FAKE, BUT POPCORN IS REAL. YOU SHOULD NOT SAY EVERYTHING YOU THINK OF, BOTH HERE AND AT WORK, ON SOCIALS OR ON HOLIDAY. YOU NEED TIME TO CHOOSE THE RIGHT FOOD FOR YOUR DOG. HOTDOGS. THE UNPLUGGED MICROWAVE ACTS COLD AND THE MINISTER OF FOREIGN AFFAIRS CALLS IT A PURE CONSEQUENCE OF ART. SINCE LOVING FALSE ARGUMENTS IS A HYPE, I HAVE NO CHOICE BUT TO AGREE. AS THE LIGHT IS OFF, THE SPACE IS DARK. AND NOTICE, THE NOTHINGNESS LOOKS SO GOD DAMN PERFECT! IF THE VOYAGER 1 WOULD ARRIVE BACK HOME, WE COULD BELIEVE THAT INFINITY FORMS A CIRCLE. BUT WE CAN’T ASSUME THIS RIGHT NOW. LIKE WE CAN'T JUST ASSUME THAT CLOTHES PEGS ARE SQUEEZING FABRIC FOR FUN. ALL HUMANS SHOULD LEAVE THE UNIVERSE. THE WEAK, THE OLD AND THE KIDS CAN STAY. THE OTHERS WILL HAVE TO FLY UNTIL THE END. TO THAT LOCATION WHERE THE BACK WALL IS PAINTED IN ALL SIMILAR SHADES OF BLACK. IN TIME THINGS WILL BE DIFFERENT. WE WILL HOST REALITY SHOWS AND AUDITION UPCOMING GENERATIONS. WE WILL SELL PROVOCATIONS TO THE HIGHEST BIDDER. YOU WILL REACT, WE WILL POINT OUT. WE WILL MOST PROBABLY FAIL BUT IT WILL MAKE US UNDERSTAND THAT FAILURE IS AT THE CORE OF ANY ARGUMENT. THE EARTH WILL TURN CLEAN OUR WASHING MACHINES AND THE AMOUNT OF ONLINE EVENTS WILL JUST MAKE EVERYTHING MORE WEARABLE. WE ARE ALL LOOKING FORWARD TO MASTURBATE AND FANTASY IS NOT A LIE AS REALITY IS MAGIC ALREADY. MISPLACED MANAGEMENT IS SAFEGUARDING THE DESIGNS THAT ARE HANDLING OUR STAY, BUT ORGANISING A WAY OUT REQUIRES ORGANISATION TOO. WHILE FRESHLY STARTING AGAIN I WILL MEET THAT GUY WHO LOOKS LIKE MY OLD SELF AND I WILL ASK TO SHARE A BATH WITH A VERY SPECIFIC PERSON THAT APPEARS IN MY MIND THAT IS NOT THE GUY THAT LOOKS LIKE MY OLD LIFE. THE BATHSHARING WILL TAKE PLACE OUTSIDE IN A MOUNTAIN LANDSCAPE WHERE A PODCAST WILL RUN ON BRAND-NEW LOUDSPEAKERS CREATING AN ECHO SERVED IN A DRESSING OF SMALL ENTERTAINING AVALANCHES BY SMASHING QUIETLY AGAINST THE HIGHLANDS. THIS SHORTCUT TO FREEDOM DEMANDS A WHOLE LOT OF LOGISTIC HASSLE. BUT THEN I DREAM MY NEPHEW FROM AMERICA THROUGH THE WINDOW OF MY GRANDPARENTS’ HOUSE IS ACTUALLY JUST A PRINT ON A PLASTIC BAG BLOWN AWAY BY THE FIERCE WIND, AND IT MAKES ALL OF THIS A BIT OF A MINOR EFFORT. IT IS NOT THAT HARD TO INSTALL A TUB IN A RAW LANDSCAPE. ACCEPTING IS EQUAL TO CHANGE AND BATHSHARING IS A GREAT ESCAPE.

DELIVER A COPY OF THIS LETTER TO THE YOUTH. A COPY. DO YOU COPY? ASK THEM TO BRING A USB STICK TO PASS ON THIS MESSAGE TO THE HIGHLY ESTEEMED SPECIFIC JELLYFISH THAT NEVER DIES (THE ONE THAT HAS A COMPUTER). SPREAD THE WORD TO THE EXTENT THAT DESTINY STANDS AS A THEORY. SCRATCH YOUR SHOULDERS WITH BOTH HANDS. OVER. GIVING NEW MEDIA A BOOST WITH OUR IMPACT ON THEIR RATINGS. FAST GROWERS DIE FAST. OFFERING SYMBOLIC SUPPORT WHERE I CAN. IF I WOULD BE THE SUBJECT, THIS SUBJECT SHOULD BE SPECIFICALLY INDICATED IN ANY DOCUMENT. FLUORESCENT IF POSSIBLE. THANKS. THE CRISIS STARTS NOW. EXPRESS A WORST CASE, IMAGINE THE SUBJECT. BORED OF CHAOS WHILE REORGANISING STONES ON A SURFACE. QUALITY CHECKING ORGANIC SYSTEMS FOR A TRENDING APP. READY TO HELP WHERE I PRETEND. COUNTING NUMBERS TO PREPARE THE END. MAYBE SHAVING THE WORLD OF ITS MANKIND. LET’S SEE WHILE HOPING. PLAUSIBLY STARTING AFTER A COFFEE. HELPING OUT IS SOMETHING ABSTRACT. STOCK OF HUMANS, FROM WHICH SOME CLAUSTROPHOBICS STAY IN PLACE. SYMBOLS OF STABILITY ARE IN DISTRESS, READY TO SACRIFICE IN SECRET. CARS IMPOSE BROKEN LAND. FORESTS WILL STRIKE BACK. MOVE, COUNTERMOVE. LOSING PREDATORS HAS CONSEQUENCES. STILL RAPING ALL BALANCE WHILE ACTING INSPIRED BY THIS LETTER. LOOKING FOR A HEAVY, METAL SHIRT, DRESSING UP FOR ART SCHOOL. EXCITED ABOUT LIFE, CONFUSED ABOUT THE REMAINS. BREAKING VICIOUS CIRCLES AS A HOBBY FINALLY ENDING UP IN ONE. WILD ANIMALS ENJOY A POST TRAUMATIC STRESS DISORDER AND ALSO OTHER STUFF FOR SURE. GOOSEBUMPS DESERVE GOOD SONGS. PLANNING A SHORT LIST OF FRIENDS ON A DOC IN DRIVE. BACK ON TRACK AFTER THE NEXT BIRTHDAY PARTY. LOOKING FOR A MADE IN CHINA AUTHENTIC COPY OF THE SKY. ACCEPTING ALL GIFTS AS A MATERIALIST. CELEBRATING SCENOGRAPHIES WHILE EATING CAKE WITH ADDITIVES. WITH 4 DILDOS AND A SIEVE YOU COULD THINK UP AN HOURGLASS OUT OF PROPORTION. FOR A MOMENT OUT OF CONTEXT, BUT FOR NOW WITH A BETTER VIEW. REPEATING MYSELF GIVEN THE VERY CLEAR AND YET IMPORTANT SUBJECT: THIS LETTER IS ADDRESSED TO THE HIGHLY ESTEEMED SPECIFIC JELLYFISH THAT NEVER DIES (THE ONE THAT HAS A COMPUTER). SINCE THERE IS A LINK WITH THE SUBJECT, WE, AS A COLLECTIVE INCLUDING MYSELF, WOULD LIKE TO ADD THAT YOU SHOULD NEVER SHARE YOUR WORK-DANCE BALANCE WITH BUYERS. THAT YOU SHOULD NEVER SHARE PERSONAL MATTERS. THAT YOU SHOULD NEVER SHARE IN GENERAL. THAT BUYERS ARE NORMAL PEOPLE BUT, YEAH... ACTING HARD IS SOMETHING YOU SHOULD. CHOPIN HAS MORE HITS ON SPOTIFY THAN THE TALENTED GUY I MET YESTERDAY PLAYING GUITAR IN A BAR. BECAUSE EVERYONE IS LOST.

HUMANITY SCULPTING HUMANITY. THE MOON IS HOT BECAUSE WE MADE IT A TOPIC. WHERE CAN I PARK MY BIG FAT FERRY? ONLY HOT TOPICS ARE PACKED FOR DELIVERY. A PEACE KEEPING OPERATION IS ACTUALLY A WAR. OPEN YOUR DESK SLIDE. REPLACE KNOWLEDGE BY BALANCE. LET’S SEE WHO LOST THE MOST. MUCH LEADS TO NOTHING. MANY MEANS A LOT. MANY CONSIDER MAINSTREAM AS FAILURE. HOWEVER, NOTHING. BRAINSTORM NEW SYSTEMS TO DESYSTEMIZE. HIGH-IMPACT-POWER- POETRY-SYSTEMS AIN’T DOING MUCH AND IT’S HELPING. SAY WHAT YOU SHOULDN’T BEFORE LOSING SPEECH. FEEL EASY ABOUT THE STRESS YOU ARE HAVING. IN FACT EVERYONE UNDERSTANDS EACH OTHER AT ALL TIMES. PLAN TO BE YOURSELF FOR A WHILE AND WASH YOUR HANDS CAUSE THEY SMELL LIKE PHONE. CRUSH THE MIND OF DIPLOMACY BY ACTING DEFEATED. ONLY SPEAK TO CHANGE YOUR OWN. SCAN YOUR INNER SELF BY SOPHISTICATED DEVICES THAT PRINT THEIR PLOT. TALK TO A COP. TELL US MORE. BIG DATES ARE SCHEDULED. AFTERMATHS ARE PART OF THE PROGRAM. KILLED 15 FISHES DURING QUARANTINE. DISCOVERED THAT THE WORD ‘PATIENT’ HAS A CLEAR LINK WITH THE WORD ‘PATIENT’. SIMILARITIES IN CONTENT WHEN IT COMES TO EXACTLY THE SAME WORD WITH TWO DIFFERENT MEANINGS ARE VERY EXCEPTIONAL. NOT AS RARE AS FOR EXAMPLE FINDING A FOSSIL OF AN ALIEN IN THE PAPER TRAY OF YOUR PRINTER. BUT STILL VERY RARE. INTRIGUING, THANKS FOR SHARING, I GUESS I AM AT YOUR SIDE OF PERCEPTION. TELL ME MORE BUT PLEASE TELL ME LATER, BECAUSE RIGHT NOW I AM FOLLOWING MY FOLLOWERS. WE ARE GOING NOWHERE AND YOU CAN’T JOIN. STILL NOT ASKING ID’S FROM THE POWERFUL. BE PART OF THE SHOW. SPACE-X IS READY TO LAUNCH. ALLIGATOR, ANTICIPATOR, ADMINISTRATOR, ELEVATOR, ALTERNATOR, AVIATOR, ACCUMULATOR, TERMINATOR, AMPHITHEATER, ARBITRATOR, RADIATOR, INVESTIGATOR, OPERATOR, REFRIGERATOR, ILLUSTRATOR. PLEASE INTERRUPT, WE ARE WORKING ON OUR MINDS INSIDE A PLATFORM WE CAN’T STAGE INSTEAD OF WATCHING OTHERS DO NOTHING BUT THE SAME. THE OLD CAN’T SEE THE NEW AND GOD IS NOT A DJ. REALLY PRETTY DUSTY CARPET. REALLY NICE BAD WEATHER. FUNNY HOW YOU ARE ACTING NOT FUNNY. LOBBY SLOWLY BECOMING A HOBBY SLOWLY BECOMING A SUSHI. MAGNETS ARE MAGIC, ALWAYS POINTING NORTH. FUCK DETAILS. FEEL FREE TO SIT ON MY COMPUTER. OUR FRIDGE IS TOO BIG FOR THIS FLAT AND PUBLIC ADVERTISING SHOULD BE FREE FOR ALL. I CRIED IN A DREAM, YET I AM STILL ALIVE. DON’T BUY AN OPEN MIND, IT’S NATURAL AND I’VE GOT PROOF. TRANSPARENCY OF WATER THROUGH TRANSPARENT WATER BOTTLES AREN'T BLOCKING A NICE VIEW. THE PLASTIC LABEL ON THE OUTSIDE COULD THROW SOOT IN NICE FOOD. DREAM AND DAILY LIFE DON’T MATCH. EVERYONE EXISTS EXCEPT THE DOMINATORS DEALING WITH THEMSELVES. HUMANITY SCULPTING HUMANITY.

WORLDS AREN’T MADE FOR DISCIPLINE. TIME IS NEXT LEVEL. PROFESSIONAL AMATEURS ARE THE MASTERS OF TRY THAT POLITICIANS CAN’T JAIL. NATURE DOES NOT BREAK WORLD RECORDS. TIME WILL CHANGE. CORRUPT POETRY UNCOVERS. CONVICTION ENTERTAINS.DESTINY STAYS. TUTORIALS ON WHATEVER SUBJECT TACKLE WHATEVER PROBLEM. LET’S VISIT THE END OF SPACE OR DIE TO CHECK WHAT'S NEXT. TWINS ARE CONFUSING AND ODD RECIPES ARE MOSTLY TASTY. 10 YEARS FROM NOW ALL HUMANS WILL UNDRESS AGAIN. LET’S SAY HELLO TO EACH OTHER AS IF IT WAS NATURAL. BESIDES SMARTPHONE RELATED MATTERS, LIFE DECISIONS ARE REASONABLE. LOVE LETTERS ARRIVE TOO LATE AND SATURDAY MORNING PIZZAS ARE BURNED. WHILE SKIPPING SUNDAYS AND VISITING FUTURE TREE HOUSES WE TRAVEL. LET’S FINANCE THE IMPOSSIBLE WITH THE COMPENSATION THAT INTERNATIONAL COMMUNICATION CHANNELS OWE US FOR THEIR UNDENIABLE ROLE IN THE AMPLIFICATION OF OUR EMOTIONS BY EXPLOITING OUR OBSESSION TO COMPARE. LET’S SHARE FOR REAL NOW. LET’S INVEST WITHOUT RETURN. WHEN SHOULD WE CONSIDER THE EARTH? ENDLESS SPACE KEEPS GROWING. IMPOSSIBLE LOVE IS LOVE. THERE IS MATTER. THERE IS ANTIMATTER. LET’S KEEP IT LIKE IT IS. IT WAS FUN UNTIL NOW. BUT WOULDN’T IT BE AN IDEA TO STOCK THE WORLD RESERVES OF PEANUT BUTTER IN THE CELLARS OF THE VATICAN. ROOM IS NO SPACE. COLOR IS NO CHOICE. YOU CAN’T COLLECT DIVERSITY BUT YOU CAN EMBRACE DYNAMICS. YOU CAN’T CONNECT IF YOU AREN’T FASCINATED BY EVERY SINGLE OBJECT IN YOUR COLLECTION. WE START THIS GAME BY PLAYING OUR LIVES. HISTORIES AND THOUGHTS OF OTHERS WHO PLAYED BEFORE ARE TAKEN INTO CONSIDERATION. OUR LIVES ARE THE CRYSTALLIZATION OF EVERYTHING AT ONCE AND WHOEVER CARES ABOUT SPELLING MISTAKES IN POETRY IS WRONG. SENSE ARISES FROM THE CLASH OF FORMS. THOSE WHO CONSIDER CHAOS ARE RIGHT. FEEL COMFORTABLE, TRIGGERED OR IN DANGER. BIG BANG! THE FIRST IMPRESSION IS OUT OF CONTROL. AN ALOE VERA LOOKS LIKE A SQUID. SHARE, SHAPE, FIT AND REJECT. WHICH POWER-RANGER ARE YOU? PLACE MIRRORS, CLEAN THE GLASS. BE A DIPLOMAT OR ACT LIKE A DICK. WITH ADVICE FROM THE SUN, HUMANS COMMIT TO THE GLOW THEY CAUSE. WE ALL WOKE UP WHERE WE FELL ASLEEP. THE PERFECT NIGHT RUINS THE NIGHT. WE MAY FIX WHAT WE CAN’T CONTROL. BY SHIFTING REALITY WE BEND. SLEEPWALK HAPPENS IN DAYTIME WHERE IMAGINATION RULES THE EMPIRE OF MADNESS. ON THE TOILET WE HAVE NO SENSE OF TIME BUT EVEN HERE WE LOOK TO BELONG. THE HUMAN BODY DESIGN HUMILIATES ANY MACHINE. I COULD BE EVERYONE. I COULD LIVE ANYPLACE. DOERS AND FOLLOWERS BOTH HAVE FUN. THE ENVIRONMENT IS IN MOTION AND THE RHYTHM SHOULD BE RIGHT. THE GATES TO THE HOTSPOTS ARE OPEN. SLOW DOWN. JACK UP COMMON SENSE. RED LIGHTS ARE CROSSED IN THE MIDDLE OF THE NIGHT. DO WE FOLD FOR A REASON? DOES IT MAKE ANY SENSE TO DO THE DISHES WHEN RAW MATERIALS KEEP SOILING OUR PLATES. THE COLORS OF MY SHOES ARE SIMILAR TO THE COLOR OF THE BLACK BOX IN THE TRASH BIN WHICH IS BLACK. I NOTICE IT BUT IT DOESN’T MATTER EXCEPT IF IT DOES AND IT’S NOT REALLY THE SAME BLACK ANYWAY. THE MAZE OF INTRODUCTION IS A GOOD TITLE BUT WOULD WE USE IT IN THE INTRODUCTION? WE DON'T UNDERSTAND EVERYTHING, YET WE FIND THE FLOW. WHAT IMPACT DOES THE RISING PRICE OF POPCORN IN OUR CINEMAS HAVE ON OUR SOCIETY AND HOW TO INTRODUCE SOMETHING THAT DIDN'T HAPPEN YET?